Tag Archive 'war photography'

Photographing Gaza – AP, Franklin and being political

September 11th, 2009

Ten days on from learning that the Associated Press had forced Stuart Franklin to withdraw his essay about Gaza from part of the Noorderlicht exhibtion, questions and concerns remain about this affair.
The photographic press has failed to unpack the whole story, although the British Journal of Photography ran an updated account on 9 September. Neither [...]

Photographing Gaza – more questions in the case of AP vs. Stuart Franklin

September 4th, 2009

The controversy surrounding the forced withdrawal of Stuart Franklin’s essay in the Noorderlicht Photofestival exhibition of Palestinian photojournalism has received some coverage in both Photo District News and the British Journal of Photography.
Those reports don’t delve very deep into this issue. As such, there remain a number of outstanding questions that, given the importance of [...]

Photographing Gaza – do pictures speak of politics?

September 1st, 2009

Do photographs speak? Do they have an intrinsic politics? Or do they rely on the text that accompanies them for political meaning? An unfolding controversy about the photojournalism of Palestinian photographers contracted to western picture agencies is broaching these questions.
As I’ve written here, although many claimed that Israel’s media controls meant few pictures of the [...]

How photographs make Darfur mean something

July 10th, 2009

The relationship between photographs and text in the construction of political understanding is often complex and frequently unclear. Although news photographs regularly present themselves as windows illustrating the world, the articles, captions and headlines with which they are associated can bind them into meanings at odds with both their pictorial content and the accompanying textual [...]

Photographing the Catastrophe of Gaza, part 2

July 5th, 2009

The Observer Magazine has a cover story today (“A Life in Ruins“) about the aftermath of the Israeli invasion of Gaza. It details the on-going suffering, and is illustrated with Antonio Olmos’s portraits of Gazans living in their destroyed houses. His photograph of Shifa Salman (below) is a double page spread on the inside, with [...]

Photographing the Catastrophe of Gaza

June 5th, 2009

Israel’s three-week war against Gaza was a devastating assault. Retaliating to Hamas rocket attacks, Israel’s military campaign caused the death of some 1,300 Palestinians and the destruction of thousands of buildings.
The story of this operation dominated the world’s media in January 2009, yet many felt that the reality of the conflict had been hidden from [...]

Embedded in Afghanistan

May 22nd, 2009

Embedding photojournalists with combat units was one of the military’s greatest victories in the Iraq war. Narrowing their focus in time and space to the unit they were with produced images putting brave soldiers front and center, with both context and victims out of range. Now, with the Obama administration’s “Af-Pak” strategy being questioned, we [...]

War in multimedia

April 7th, 2009

As I wrote in today’s photographic post on Afghanistan, John D. McHugh’s multimedia series Six Months in Afghanistan offers some of the best visual insights into the military realities of that conflict.
McHugh, in a session chaired by Roger Tooth of The Guardian at London’s Fontline Club last week, also provides a series of good insights [...]

Afghanistan: Limits of the Photographic Landscape

April 7th, 2009

The visualization of the war against the Taliban has stuck closely to the conventional understanding of the conflict in Afghanistan. With few exceptions, photojournalism has focused on the military struggles of international forces as they combat an ‘elusive’ enemy.
Starting with stories like Ron Haviv’s Road to Kabul, and evident in the contributions to the Battlespace [...]

War images at work

March 20th, 2009

Photojournalism’s representation of war is often standardized, familiar, even clichéd. Regardless of the time or place it can seem like we have seen it before, regularly and repeatedly. But if we always approach the problem from the same vantage point – asking how the event is represented – we run the risk of missing vital [...]