Given the difficulty of talking about photography, it is possible an image can convey insights about this complex field. Although it is now seven years old, and many will have seen it, Joan Fontcuberta’s Googlegram: Niépce (2005) is perhaps one such image. I’m not often taken by photographic art but seeing Googlegram: Niépce (2005) this…
World Press Photo has included a new clause about the manipulation of imagery in their entry rules for 2010. This clause says: The content of the image must not be altered. Only retouching which conforms to currently accepted standards in the industry is allowed. The jury is the ultimate arbiter of these standards and may…
The issues surrounding photographic meaning, manipulation and Photoshop have been prominent recently (see my previous posts here and here, with some updates amongst the comments for each). Via Fred Ritchin’s After Photography (see his 24 April post) comes news of a Swedish government project Girlpower dealing with sexism in advertising. One element is a magazine…
Photography’s anxiety about truth, manipulation and reality has been on show recently. In different ways and from different contexts, people have been asking: “how much Photoshop is too much”? From the realm of fashion, French Elle is being celebrated for running a cover story in which the models photographs have not been ‘Photoshopped’ (thereby confirming,…
We know photographs can be false yet we want them to be true. Indeed, the desire for photographic veracity has persisted, perhaps even intensified, even as knowledge about image manipulation becomes more widespread. Reflecting on the Oscar ceremonies, MediaGuardian has documented the widespread use of Photoshop to enhance celebrity photographs in fashion and gossip magazines….