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	<title>David Campbell &#187; photography</title>
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	<link>http://www.david-campbell.org</link>
	<description>Visual storytelling: creative practice and criticism</description>
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	<itunes:summary>Visual storytelling: creative practice and criticism</itunes:summary>
	<itunes:author>David Campbell</itunes:author>
	<itunes:explicit>no</itunes:explicit>
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	<itunes:subtitle>Visual storytelling: creative practice and criticism</itunes:subtitle>
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		<title>David Campbell &#187; photography</title>
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		<title>TFTW #9: Azoulay on the photographic encounter</title>
		<link>http://www.david-campbell.org/2013/03/05/tftw-9-azoulay-on-the-photographic-encounter/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=tftw-9-azoulay-on-the-photographic-encounter</link>
		<comments>http://www.david-campbell.org/2013/03/05/tftw-9-azoulay-on-the-photographic-encounter/#comments</comments>
		<pubDate>Tue, 05 Mar 2013 08:55:17 +0000</pubDate>
		<dc:creator>David Campbell</dc:creator>
				<category><![CDATA[photography]]></category>
		<category><![CDATA[Thought for the Week]]></category>
		<category><![CDATA[Ariella Azoulay]]></category>
		<category><![CDATA[TFTW]]></category>

		<guid isPermaLink="false">http://www.david-campbell.org/?p=3478</guid>
		<description><![CDATA[TFTW…thought for the week…some occasional quotes to inspire… The photograph&#8230;is never solely the realization of the preconceived plan or a vision of a single author, but is rather the outcome of an encounter. This encounter involves four protagonists at least &#8211; a camera, whoever stands behind the lens, whoever faces the lens, and whoever might...]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Thinking Images v.26: From Joseph Nicéphore Niépce to Google Images</title>
		<link>http://www.david-campbell.org/2012/11/06/thinking-images-v-26-from-joseph-nicephore-niepce-to-google-images/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=thinking-images-v-26-from-joseph-nicephore-niepce-to-google-images</link>
		<comments>http://www.david-campbell.org/2012/11/06/thinking-images-v-26-from-joseph-nicephore-niepce-to-google-images/#comments</comments>
		<pubDate>Tue, 06 Nov 2012 03:27:17 +0000</pubDate>
		<dc:creator>David Campbell</dc:creator>
				<category><![CDATA[photography]]></category>
		<category><![CDATA[Google]]></category>
		<category><![CDATA[Joan Fontcuberta]]></category>
		<category><![CDATA[Joseph Nicéphore Niépce]]></category>
		<category><![CDATA[Photoshop]]></category>

		<guid isPermaLink="false">http://www.david-campbell.org/?p=3371</guid>
		<description><![CDATA[Given the difficulty of talking about photography, it is possible an image can convey insights about this complex field. Although it is now seven years old, and many will have seen it, Joan Fontcuberta’s Googlegram: Niépce (2005) is perhaps one such image. I’m not often taken by photographic art but seeing Googlegram: Niépce (2005) this...]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Hipstamatic angst, Instagram anxiety: time to move the conversation forward</title>
		<link>http://www.david-campbell.org/2012/07/21/hipstamatic-angst-instagram-anxiety-time-to-move-the-conversation-forward/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=hipstamatic-angst-instagram-anxiety-time-to-move-the-conversation-forward</link>
		<comments>http://www.david-campbell.org/2012/07/21/hipstamatic-angst-instagram-anxiety-time-to-move-the-conversation-forward/#comments</comments>
		<pubDate>Sat, 21 Jul 2012 16:16:31 +0000</pubDate>
		<dc:creator>David Campbell</dc:creator>
				<category><![CDATA[More posts]]></category>
		<category><![CDATA[photography]]></category>
		<category><![CDATA[Ashley Gilbertson]]></category>
		<category><![CDATA[Ed Kashi]]></category>
		<category><![CDATA[Facebook]]></category>
		<category><![CDATA[Hipstamatic]]></category>
		<category><![CDATA[Instagram]]></category>
		<category><![CDATA[Jean-Francois Leroy]]></category>
		<category><![CDATA[John Edwin Mason]]></category>
		<category><![CDATA[Kate Bevan]]></category>
		<category><![CDATA[photojournalism]]></category>
		<category><![CDATA[Polaroid]]></category>
		<category><![CDATA[Richard Koci Hernandez]]></category>
		<category><![CDATA[social media]]></category>
		<category><![CDATA[The Guardian]]></category>

		<guid isPermaLink="false">http://www.david-campbell.org/?p=3240</guid>
		<description><![CDATA[It&#8217;s back &#8211; another round of high octane commentary on the supposedly nefarious influence of Hipstamatic and Instagram on the world of photography. We&#8217;ve had Jean-Francois Leroy of Visa Pour L&#8217;Image deride these apps as &#8220;all a gimmick&#8230;pure laziness&#8220;. We&#8217;ve read Kate Bevan in The Guardian detail how she loves manipulating her own digital images,...]]></description>
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		<slash:comments>20</slash:comments>
		</item>
		<item>
		<title>The importance of criticism</title>
		<link>http://www.david-campbell.org/2012/05/15/importance-of-criticism/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=importance-of-criticism</link>
		<comments>http://www.david-campbell.org/2012/05/15/importance-of-criticism/#comments</comments>
		<pubDate>Tue, 15 May 2012 09:59:36 +0000</pubDate>
		<dc:creator>David Campbell</dc:creator>
				<category><![CDATA[photography]]></category>
		<category><![CDATA[politics]]></category>
		<category><![CDATA[critique]]></category>
		<category><![CDATA[David Levi Strauss]]></category>
		<category><![CDATA[Jim Johnson]]></category>
		<category><![CDATA[Michel Foucault]]></category>
		<category><![CDATA[photojournalism]]></category>

		<guid isPermaLink="false">http://www.david-campbell.org/?p=3154</guid>
		<description><![CDATA[It has been quiet in these parts while I&#8217;ve been teaching in the US, but now that I&#8217;m back in the UK and in freelance mode, I&#8217;m looking forward to again writing here more regularly, trying to articulate the contexts of photography, multimedia and politics. Having been preoccupied with off-line responsibilities I&#8217;ve also had a...]]></description>
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		<slash:comments>0</slash:comments>
		</item>
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		<title>TFTW #8: Sekula on photographic meaning</title>
		<link>http://www.david-campbell.org/2012/02/27/tftw-8-sekula-on-photographic-meaning/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=tftw-8-sekula-on-photographic-meaning</link>
		<comments>http://www.david-campbell.org/2012/02/27/tftw-8-sekula-on-photographic-meaning/#comments</comments>
		<pubDate>Mon, 27 Feb 2012 22:30:16 +0000</pubDate>
		<dc:creator>David Campbell</dc:creator>
				<category><![CDATA[Thought for the Week]]></category>
		<category><![CDATA[Alan Sekula]]></category>
		<category><![CDATA[photography]]></category>
		<category><![CDATA[TFTW]]></category>

		<guid isPermaLink="false">http://www.david-campbell.org/?p=3086</guid>
		<description><![CDATA[TFTW…thought for the week…some quotes to inspire… The photograph, as it stands alone, presents merely the possibility of meaning. Only by its embeddedness in a concrete discourse situation can the photograph yield a clear semantic outcome. Alan Sekula, “On the Invention of Photographic Meaning,” in Thinking Photography, edited by Victor Burgin (London: Macmillan, 1982), p....]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>TFTW #7: Shapiro on photography and representation</title>
		<link>http://www.david-campbell.org/2012/02/15/tftw-7-shapiro-on-photography-and-representation/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=tftw-7-shapiro-on-photography-and-representation</link>
		<comments>http://www.david-campbell.org/2012/02/15/tftw-7-shapiro-on-photography-and-representation/#comments</comments>
		<pubDate>Wed, 15 Feb 2012 14:49:18 +0000</pubDate>
		<dc:creator>David Campbell</dc:creator>
				<category><![CDATA[photography]]></category>
		<category><![CDATA[Thought for the Week]]></category>
		<category><![CDATA[Michael Shapiro]]></category>
		<category><![CDATA[TFTW]]></category>

		<guid isPermaLink="false">http://www.david-campbell.org/?p=3072</guid>
		<description><![CDATA[TFTW…thought for the week…some quotes to inspire… Representations do not imitate reality but are practices through which things take on meaning and value; to the extent that a representation is regarded as realistic, it is because it is so familiar it operates transparently&#8230;photography is one of the representational practices that has become so naturalized. Michael...]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>TFTW #6: Azoulay on the image as statement</title>
		<link>http://www.david-campbell.org/2012/01/16/tftw-6-azoulay-on-image-as-statement/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=tftw-6-azoulay-on-image-as-statement</link>
		<comments>http://www.david-campbell.org/2012/01/16/tftw-6-azoulay-on-image-as-statement/#comments</comments>
		<pubDate>Mon, 16 Jan 2012 11:42:17 +0000</pubDate>
		<dc:creator>David Campbell</dc:creator>
				<category><![CDATA[Thought for the Week]]></category>
		<category><![CDATA[Ariella Azoulay]]></category>
		<category><![CDATA[photography]]></category>
		<category><![CDATA[TFTW]]></category>

		<guid isPermaLink="false">http://www.david-campbell.org/?p=3056</guid>
		<description><![CDATA[TFTW…thought for the week…some quotes to inspire… A solitary image cannot testify to what is revealed through it, but must be attached to another image, another piece of information, another assertion or description, another grievance or piece of evidence, another broadcast, another transmitter. An image is only ever another statement in a regime of statements....]]></description>
		<wfw:commentRss>http://www.david-campbell.org/2012/01/16/tftw-6-azoulay-on-image-as-statement/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>TFTW #5: Bolton on photography&#8217;s contradictions</title>
		<link>http://www.david-campbell.org/2012/01/10/tftw5-bolton-on-photographys-contradictions/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=tftw5-bolton-on-photographys-contradictions</link>
		<comments>http://www.david-campbell.org/2012/01/10/tftw5-bolton-on-photographys-contradictions/#comments</comments>
		<pubDate>Tue, 10 Jan 2012 09:45:18 +0000</pubDate>
		<dc:creator>David Campbell</dc:creator>
				<category><![CDATA[photography]]></category>
		<category><![CDATA[Thought for the Week]]></category>
		<category><![CDATA[Richard Bolton]]></category>
		<category><![CDATA[TFTW]]></category>

		<guid isPermaLink="false">http://www.david-campbell.org/?p=3043</guid>
		<description><![CDATA[TFTW…thought for the week…some quotes to inspire… It seems that wherever we look in photography, we find contradictory impulses and opposing aims. The wide range of photographic applications [from police surveillance to liberal documentary] raises the possibility that photography has no governing characteristics at all save adaptability. Certain practices preserve the status quo and others...]]></description>
		<wfw:commentRss>http://www.david-campbell.org/2012/01/10/tftw5-bolton-on-photographys-contradictions/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>TFTW #4: Barthes on subversive photography</title>
		<link>http://www.david-campbell.org/2012/01/02/tftw-4-barthes-on-subversive-photography/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=tftw-4-barthes-on-subversive-photography</link>
		<comments>http://www.david-campbell.org/2012/01/02/tftw-4-barthes-on-subversive-photography/#comments</comments>
		<pubDate>Mon, 02 Jan 2012 12:00:04 +0000</pubDate>
		<dc:creator>David Campbell</dc:creator>
				<category><![CDATA[Thought for the Week]]></category>
		<category><![CDATA[photography]]></category>
		<category><![CDATA[Roland Barthes]]></category>
		<category><![CDATA[TFTW]]></category>

		<guid isPermaLink="false">http://www.david-campbell.org/?p=3026</guid>
		<description><![CDATA[TFTW…thought for the week…some quotes to inspire… Photography is subversive not when it frightens, repels, or even stigmatizes, but when it is pensive, when it thinks. Roland Barthes, Camera Lucida: Reflections on Photography, trans. By Richard Howard (New York: Hill and Wang, 1981), p. 38. Thumbnail photo: Bill Gracey/Flickr.]]></description>
		<wfw:commentRss>http://www.david-campbell.org/2012/01/02/tftw-4-barthes-on-subversive-photography/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>TFTW #3: Ritchin on hyperphotography</title>
		<link>http://www.david-campbell.org/2011/12/12/tftw-3-ritchin-on-hyperphotography/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=tftw-3-ritchin-on-hyperphotography</link>
		<comments>http://www.david-campbell.org/2011/12/12/tftw-3-ritchin-on-hyperphotography/#comments</comments>
		<pubDate>Mon, 12 Dec 2011 09:47:51 +0000</pubDate>
		<dc:creator>David Campbell</dc:creator>
				<category><![CDATA[photography]]></category>
		<category><![CDATA[Thought for the Week]]></category>
		<category><![CDATA[Fred Ritchin]]></category>
		<category><![CDATA[hyperphotography]]></category>
		<category><![CDATA[TFTW]]></category>

		<guid isPermaLink="false">http://www.david-campbell.org/?p=2814</guid>
		<description><![CDATA[TFTW&#8230;thought for the week&#8230;some quotes to inspire&#8230; Just as the novel, poetry, and the memoir have explored the permutations of memory, so too might the digital photograph evoke a more complex past. Rather than a single, inarguable reference point that is to thought to be truer than human recollection, it can serve as an element...]]></description>
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		<slash:comments>0</slash:comments>
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