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	<title>David Campbell &#187; journalism</title>
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	<link>http://www.david-campbell.org</link>
	<description>Photography, Multimedia, Politics</description>
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	<itunes:summary>Photography, Multimedia, Politics</itunes:summary>
	<itunes:author>David Campbell</itunes:author>
	<itunes:explicit>no</itunes:explicit>
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	<itunes:subtitle>Photography, Multimedia, Politics</itunes:subtitle>
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		<title>David Campbell &#187; journalism</title>
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		<link>http://www.david-campbell.org</link>
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		<item>
		<title>The new media landscape (1): contours of change</title>
		<link>http://www.david-campbell.org/2011/05/23/the-new-media-landscape-1-contours-of-change/</link>
		<comments>http://www.david-campbell.org/2011/05/23/the-new-media-landscape-1-contours-of-change/#comments</comments>
		<pubDate>Mon, 23 May 2011 14:59:12 +0000</pubDate>
		<dc:creator>davidc7</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[media economy]]></category>
		<category><![CDATA[Christopher Anderson]]></category>
		<category><![CDATA[Dave Winer]]></category>
		<category><![CDATA[Frederic Filoux]]></category>
		<category><![CDATA[free]]></category>
		<category><![CDATA[Internet]]></category>
		<category><![CDATA[journalism]]></category>
		<category><![CDATA[Marco Oonk]]></category>
		<category><![CDATA[Mathew Ingram]]></category>
		<category><![CDATA[Netflix]]></category>
		<category><![CDATA[photography]]></category>
		<category><![CDATA[photojournalism]]></category>
		<category><![CDATA[Richard Stacey]]></category>
		<category><![CDATA[Tim Berners-Lee]]></category>

		<guid isPermaLink="false">http://www.david-campbell.org/?p=2084</guid>
		<description><![CDATA[&#160; # # Change in the media landscape is constant. Everyone involved in the production of creative content – photographers, journalists, writers, and musicians, as well as those who deal in those products – knows that nothing is as it was. # Too much of the current debate about how creative practitioners can cope with...]]></description>
		<wfw:commentRss>http://www.david-campbell.org/2011/05/23/the-new-media-landscape-1-contours-of-change/feed/</wfw:commentRss>
		<slash:comments>5</slash:comments>
		</item>
		<item>
		<title>Paying for photojournalism: a review of the New York Times ‘pay wall’</title>
		<link>http://www.david-campbell.org/2011/03/30/paying-for-photojournalism-review-nyt-pay-wall/</link>
		<comments>http://www.david-campbell.org/2011/03/30/paying-for-photojournalism-review-nyt-pay-wall/#comments</comments>
		<pubDate>Wed, 30 Mar 2011 19:20:46 +0000</pubDate>
		<dc:creator>davidc7</dc:creator>
				<category><![CDATA[media economy]]></category>
		<category><![CDATA[photography]]></category>
		<category><![CDATA[Aric Mayer]]></category>
		<category><![CDATA[BBC]]></category>
		<category><![CDATA[Dave Winer]]></category>
		<category><![CDATA[Financial Times]]></category>
		<category><![CDATA[Frederic Filloux]]></category>
		<category><![CDATA[free]]></category>
		<category><![CDATA[Guardian]]></category>
		<category><![CDATA[iTunes]]></category>
		<category><![CDATA[James Estrin]]></category>
		<category><![CDATA[Joerg Colberg]]></category>
		<category><![CDATA[journalism]]></category>
		<category><![CDATA[Ken Doctor]]></category>
		<category><![CDATA[Koi Vinh]]></category>
		<category><![CDATA[Michael deGusta]]></category>
		<category><![CDATA[music industry]]></category>
		<category><![CDATA[New York Times]]></category>
		<category><![CDATA[pay walls]]></category>
		<category><![CDATA[photojournalism]]></category>
		<category><![CDATA[Rob Haggert]]></category>
		<category><![CDATA[Steve Buttry]]></category>
		<category><![CDATA[Steve Yelvington]]></category>
		<category><![CDATA[Times]]></category>
		<category><![CDATA[Twitter]]></category>
		<category><![CDATA[Wall Street Journal]]></category>

		<guid isPermaLink="false">http://www.david-campbell.org/?p=1959</guid>
		<description><![CDATA[# Newspapers in the US and UK continue to struggle with growing debt, declining circulation and falling advertising revenue. In the search for additional sources of revenue, new schemes for paid content are being implemented. (For an excellent overview of the issues, listen to WNYC&#8217;s On the Media podcast from January 28). After nearly two years...]]></description>
		<wfw:commentRss>http://www.david-campbell.org/2011/03/30/paying-for-photojournalism-review-nyt-pay-wall/feed/</wfw:commentRss>
		<slash:comments>20</slash:comments>
		</item>
		<item>
		<title>Covering Japan&#8217;s disaster: A visual journalist&#8217;s reflections</title>
		<link>http://www.david-campbell.org/2011/03/17/covering-japans-disaster-videojournalists-reflections/</link>
		<comments>http://www.david-campbell.org/2011/03/17/covering-japans-disaster-videojournalists-reflections/#comments</comments>
		<pubDate>Thu, 17 Mar 2011 07:50:37 +0000</pubDate>
		<dc:creator>davidc7</dc:creator>
				<category><![CDATA[media economy]]></category>
		<category><![CDATA[multimedia]]></category>
		<category><![CDATA[photography]]></category>
		<category><![CDATA[Dan Chung]]></category>
		<category><![CDATA[Japan]]></category>
		<category><![CDATA[journalism]]></category>
		<category><![CDATA[photojournalism]]></category>
		<category><![CDATA[The Guardian]]></category>
		<category><![CDATA[video]]></category>

		<guid isPermaLink="false">http://www.david-campbell.org/?p=1887</guid>
		<description><![CDATA[# Dan Chung spent four days covering the Japanese earthquake and tsunami. Based in Beijing as the Guardian&#8217;s videojournalist, Dan runs the DSLR Newshooter blog and is the video tutor for the MA in International Multimedia Journalism I contribute to. Upon returning to Beijing on Thursday Dan came into class to give an immediate, first-hand account of...]]></description>
		<wfw:commentRss>http://www.david-campbell.org/2011/03/17/covering-japans-disaster-videojournalists-reflections/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
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			<itunes:keywords>Dan Chung,Japan,journalism,photojournalism,The Guardian,video</itunes:keywords>
		<itunes:subtitle>Dan Chung spent four days covering the Japanese earthquake and tsunami. Based in Beijing as the Guardian&#039;s videojournalist, Dan runs the DSLR Newshooter blog and is the video tutor for the MA in International Multimedia Journalism I contribute to.</itunes:subtitle>
		<itunes:summary>Dan Chung spent four days covering the Japanese earthquake and tsunami. Based in Beijing as the Guardian&#039;s videojournalist, Dan runs the DSLR Newshooter blog and is the video tutor for the MA in International Multimedia Journalism I contribute to. Upon returning to Beijing on Thursday Dan came into class to give an immediate, first-hand account of his experience in Japan.


Dan spoke for nearly two hours, offering a revealing and thought-provoking analysis of the aesthetic, logistical and reporting challenges he faced working in the disaster zone. He kindly allowed the talk to be recorded and made available as a podcast. I have edited the talk, taking out the sections that recorded the audio from the video reports he showed. In the recording you will hear questions from DJ Clark, and references to Adam Dean, a freelance photojournalist in Beijing, and Tania Branigan, the Guardian&#039;s China correspondent.


You can listen to the podcast here, and I have provided the videos Dan discussed so you can follow the discussion and engage the debate about how to cover an event of this magnitude.

Some of the key points I took away from the talk were:

	the logistical challenges of getting to the disaster zone quickly were immense, as were the challenges then faced in moving around the disaster zone. He noted that each day only about 2-3 hours was available for shooting still or video images; the rest of the time was consumed by logistics, be that sourcing fuel, power, internet connections and food


	although he has advised journalists not to shoot stills and video at the same time during an assignment, this was an event in which that dual function was unavoidable. (Dan&#039;s stills galleries can be seen here and here, and he talks about them at 42:00 in the podcast). However he opted to focus on video because of the large number of highly skilled photographers working on the story


	the fundamental question he thought journalists should ask themselves is &#039;what are you doing there, and what can you add to the story&#039; given the blanket coverage by both the Japanese and international media


	in assessing a visual journalist&#039;s contribution to the story, he argued that you had to consider the overall media environment you were publishing into. In this story there is the extensive coverage of the Japanese media, the large presence of international agencies and wire services, and extensive social media networks.


	In this context, the most dramatic footage came from user generated content (such as this video, discussed at 18:15 in the podcast), and it was very hard for international journalists to compete with that. He described a lot of the western coverage as &quot;formulaic,&quot; driven by conventions of reporting and the limits of what one could do in the disaster zone.


	Dan said his function was to be a witness, providing images to take the reader somewhere they are not.


	He wondered whether we would be seeing some &quot;stylised photojournalism&quot; in an effort to do something different. He felt that the drive to differentiate oneself through aesthetics was problematic. He asked, &quot;how much thinking can you do outside the box photographically in a disaster like this? How much is down to what you come across, what you see?&quot;

Dan discussed the videos he produced during the talk. At 15:26 he introduces the first story, which is this standard &quot;television style&quot; package presented by Jonathan Watts, that appeared on the Guardian site on 13 March.

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This was contrasted (at 17:38 in the podcast) to Matt Allard&#039;s Aljazeera English report, which Dan regarded as amongst the best of the TV reports.

In an effort to offer something different, Dan produced a piece of &#039;cinematic journalism&#039; he felt embodied the experience of being in the disaster zone. He discusses his intentions at length in the podcast (from 20:55 to 30:00). This film, which took less than two hours to make,</itunes:summary>
		<itunes:author>David Campbell</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>1:03:30</itunes:duration>
	</item>
		<item>
		<title>Thinking Images v.1: Chile, Africa and British students</title>
		<link>http://www.david-campbell.org/2010/10/15/thinking-images-v-1/</link>
		<comments>http://www.david-campbell.org/2010/10/15/thinking-images-v-1/#comments</comments>
		<pubDate>Fri, 15 Oct 2010 08:10:50 +0000</pubDate>
		<dc:creator>davidc7</dc:creator>
				<category><![CDATA[photography]]></category>
		<category><![CDATA[politics]]></category>
		<category><![CDATA[Thinking Images]]></category>
		<category><![CDATA[Africa]]></category>
		<category><![CDATA[Chile]]></category>
		<category><![CDATA[Jay Rosen]]></category>
		<category><![CDATA[journalism]]></category>
		<category><![CDATA[media]]></category>
		<category><![CDATA[photojournalism]]></category>
		<category><![CDATA[university]]></category>

		<guid isPermaLink="false">http://www.david-campbell.org/?p=1393</guid>
		<description><![CDATA[Thinking Images &#8211; an occasional series on a small selection of the week&#8217;s visuals and the thoughts they prompt&#8230; # # You would have to a cold-hearted person not to have been moved in some way at some time by the rescue of the Chilean miners. But there are always other dimensions to such stories....]]></description>
		<wfw:commentRss>http://www.david-campbell.org/2010/10/15/thinking-images-v-1/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Revolutions in the media economy (3): photojournalism’s futures</title>
		<link>http://www.david-campbell.org/2009/09/20/revolutions-in-the-media-economy-3/</link>
		<comments>http://www.david-campbell.org/2009/09/20/revolutions-in-the-media-economy-3/#comments</comments>
		<pubDate>Sun, 20 Sep 2009 19:03:42 +0000</pubDate>
		<dc:creator>davidc7</dc:creator>
				<category><![CDATA[media economy]]></category>
		<category><![CDATA[photography]]></category>
		<category><![CDATA[journalism]]></category>
		<category><![CDATA[multimedia]]></category>
		<category><![CDATA[photojournalism]]></category>

		<guid isPermaLink="false">http://www.david-campbell.org/?p=857</guid>
		<description><![CDATA[# How do the revolutions in the media economy (detailed in the first and second post of this series) affect photojournalism? Given both the crisis in the distribution of information and the new opportunities for the structure of information, what futures are there for photojournalism? # This assumes ‘photojournalism’ is an accepted category of photographic...]]></description>
		<wfw:commentRss>http://www.david-campbell.org/2009/09/20/revolutions-in-the-media-economy-3/feed/</wfw:commentRss>
		<slash:comments>19</slash:comments>
		</item>
		<item>
		<title>Revolutions in the media economy (2): the changing structure of information</title>
		<link>http://www.david-campbell.org/2009/09/16/revolutions-in-the-media-economy-2/</link>
		<comments>http://www.david-campbell.org/2009/09/16/revolutions-in-the-media-economy-2/#comments</comments>
		<pubDate>Wed, 16 Sep 2009 07:21:56 +0000</pubDate>
		<dc:creator>davidc7</dc:creator>
				<category><![CDATA[media economy]]></category>
		<category><![CDATA[journalism]]></category>

		<guid isPermaLink="false">http://www.david-campbell.org/?p=844</guid>
		<description><![CDATA[# Is there actually a crisis in news and journalism? We must not ignore the historical perspective that locates the current problems in the media economy, as my previous post detailed, but Jeff Jarvis is right – if we start from the assumption that there is a crisis for all concerned we will ask the...]]></description>
		<wfw:commentRss>http://www.david-campbell.org/2009/09/16/revolutions-in-the-media-economy-2/feed/</wfw:commentRss>
		<slash:comments>10</slash:comments>
		</item>
		<item>
		<title>Revolutions in the media economy (1): the context of crisis</title>
		<link>http://www.david-campbell.org/2009/09/14/revolutions-in-the-media-economy-1/</link>
		<comments>http://www.david-campbell.org/2009/09/14/revolutions-in-the-media-economy-1/#comments</comments>
		<pubDate>Mon, 14 Sep 2009 20:10:01 +0000</pubDate>
		<dc:creator>davidc7</dc:creator>
				<category><![CDATA[media economy]]></category>
		<category><![CDATA[journalism]]></category>

		<guid isPermaLink="false">http://www.david-campbell.org/?p=767</guid>
		<description><![CDATA[# The way news and information is reported and delivered to citizens is undergoing profound transformations, especially in the United States and Europe. In the last twelve months commentary has been rife with claims about “the death of newspapers,” the end of journalism, and the impact this crisis will allegedly have on democratic politics. #...]]></description>
		<wfw:commentRss>http://www.david-campbell.org/2009/09/14/revolutions-in-the-media-economy-1/feed/</wfw:commentRss>
		<slash:comments>17</slash:comments>
		</item>
		<item>
		<title>Newspaper as television</title>
		<link>http://www.david-campbell.org/2009/01/26/newspaper-as-television/</link>
		<comments>http://www.david-campbell.org/2009/01/26/newspaper-as-television/#comments</comments>
		<pubDate>Mon, 26 Jan 2009 17:55:09 +0000</pubDate>
		<dc:creator>davidc7</dc:creator>
				<category><![CDATA[multimedia]]></category>
		<category><![CDATA[journalism]]></category>
		<category><![CDATA[photojournalism]]></category>

		<guid isPermaLink="false">http://www.david-campbell.org/?p=399</guid>
		<description><![CDATA[The media landscape is changing radically. When The Guardian (rightly) wins a Broadcast News award for its July 2008 video on Zimbabwe’s rigged election – which was posted on the newspaper&#8217;s web site before being shown on BBC television – then we have proof that the barriers between print, on-line and television are being blurred...]]></description>
		<wfw:commentRss>http://www.david-campbell.org/2009/01/26/newspaper-as-television/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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