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	<title>David Campbell &#187; James Akena</title>
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	<itunes:summary>Photography, Multimedia, Politics</itunes:summary>
	<itunes:author>David Campbell</itunes:author>
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	<itunes:subtitle>Photography, Multimedia, Politics</itunes:subtitle>
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		<title>Visualising ‘Africa’: moving beyond ‘positive versus negative’ photographs</title>
		<link>http://www.david-campbell.org/2010/03/16/visualising-africa/</link>
		<comments>http://www.david-campbell.org/2010/03/16/visualising-africa/#comments</comments>
		<pubDate>Tue, 16 Mar 2010 10:25:29 +0000</pubDate>
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				<category><![CDATA[photography]]></category>
		<category><![CDATA[Africa]]></category>
		<category><![CDATA[Guy Tillim]]></category>
		<category><![CDATA[James Akena]]></category>
		<category><![CDATA[Joan Bardeletti]]></category>
		<category><![CDATA[photojournalism]]></category>
		<category><![CDATA[Senegal]]></category>
		<category><![CDATA[Uganda]]></category>

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		<description><![CDATA[A disaster. A lone child. Barefoot. In a barren landscape. The apparent absence of social structures. # This photograph recycles all the main elements in the dominant representation of ‘Africa’. As James Ferguson writes in his important book Global Shadows, “for all that has changed, ‘Africa’ continues to be described through a series of lacks...]]></description>
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