When should we see the dead? In this photograph of a Libyan rebel surveying a possible massacre site we are confronted with an unusually graphic portrayal of war dead. (This picture ran in The Guardian print edition on 29 August (pp. 14-15), appeared online, along with a similar image from the same photographer that can…
What is the point of critique, and how can it help produce better visual stories? According to Jonathan Jones (writing in the Guardian on 22 July) all the sophisticated critiques of photojournalism are pointless when it comes to picturing famine: It seems shocking that commentators…wasted their breath on the ethics of a photograph instead of…
Newspapers in the US and UK continue to struggle with growing debt, declining circulation and falling advertising revenue. In the search for additional sources of revenue, new schemes for paid content are being implemented. (For an excellent overview of the issues, listen to WNYC’s On the Media podcast from January 28). After nearly two years planning,…
Thinking Images - an occasional series on some of the week’s visuals and the thoughts they prompt… Caption: Orich Florestal (left), 24 and Rosemond Altidon, 22, stand on the edge of their partially destroyed apartment of Port-au-Prince January 9, 2011. Photo: Allison Shelley/Reuters. One year ago this week a massive earthquake struck Haiti killing 230,000 people. Media…
Thinking Images - an occasional series on some of the week’s visuals and the thoughts they prompt… Sudan faces a momentous week beginning Sunday 9 January. A referendum in the south, mandated as part of the 2005 comprehensive peace agreement, could lead to the division of the country and the creation of a new state. Voting will…
The global controversy surrounding Wikileaks release of US diplomatic cables is a moment in which media, politics, visual culture and war intersect in complex ways. There has been no shortage of good commentary on the story, as evidenced in the range of views curated by Alex Madrigal’s post “how to think about Wikileaks”. What I…