What is the point of critique, and how can it help produce better visual stories? According to Jonathan Jones (writing in the Guardian on 22 July) all the sophisticated critiques of photojournalism are pointless when it comes to picturing famine: It seems shocking that commentators…wasted their breath on the ethics of a photograph instead of…
Last week’s post on ‘Famine iconography as a sign of failure‘ drew a very critical response from @foto8 on Twitter. I’ve again used Storify to collect the comments and offer a response to address the issues. Be sure to click on ‘Read More’ to see the whole stream. Further comments on this debate are welcome….
The homogenisation of ‘Africa’ – the rendering of the continent into one form. The anthropomorphisation of ‘Africa’ – the representation of the continent as one person. The infantilisation of ‘Africa’ – the image of the continent as a child. The impoverishment of ‘Africa’ – the construction of the continent as a desperate, poor, passive victim….
Contemporary news photographs are chosen less for their descriptive function and more for their capacity to provide symbolic markers to familiar interpretations and conventional narratives. Although news images can illustrate the story they accompany, it is often the case that the photograph published with a story does not depict the specifics of that story. This…
‘Development pornography’. ‘Poverty porn’. ‘Disaster porn’. ‘Ruin porn’. ‘War porn’. ‘Famine porn’. ‘Stereotype porn’. When it comes to the representation of atrocity and suffering, the charge of pornography abounds (see here, here, here, here, here, here, and here). What does it mean to use this term so frequently in relation to so many different situations?…
Thinking Images - an occasional series on some of the week’s visuals and the thoughts they prompt… Sudan faces a momentous week beginning Sunday 9 January. A referendum in the south, mandated as part of the 2005 comprehensive peace agreement, could lead to the division of the country and the creation of a new state. Voting will…
As appropriations of suffering, photographs of famine victims are affective rather than simply illustrative. They are designed to appeal emotionally to viewers and connect them with subjects in a particular way rather than just offer a description of some person or place. The message is that someone is suffering, and that we should be sympathetic…
The photographic reporting of famine, especially in ‘Africa’, continues to replicate stereotypes. Malnourished children, either pictured alone in passive poses or with their mothers at hand, continue to be the obvious subjects of our gaze. What should drive our concern about this persistent portrayal? This morning I came across an example that demonstrates how criticism…