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	<title>David Campbell &#187; Don McCullin</title>
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	<description>Visual storytelling: creative practice and criticism</description>
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	<itunes:summary>Visual storytelling: creative practice and criticism</itunes:summary>
	<itunes:author>David Campbell</itunes:author>
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		<title>Vietnam, Afghanistan and the sphere of legitimate aesthetics: developing a critical photographic practice</title>
		<link>http://www.david-campbell.org/2011/05/13/vietnam-afghanistan-aesthetics-critical-photography/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=vietnam-afghanistan-aesthetics-critical-photography</link>
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		<pubDate>Fri, 13 May 2011 13:14:38 +0000</pubDate>
		<dc:creator>David Campbell</dc:creator>
				<category><![CDATA[photography]]></category>
		<category><![CDATA[politics]]></category>
		<category><![CDATA[Afghanistan]]></category>
		<category><![CDATA[Daniel Hallin]]></category>
		<category><![CDATA[Don McCullin]]></category>
		<category><![CDATA[embedded journalism]]></category>
		<category><![CDATA[Judith Butler]]></category>
		<category><![CDATA[Larry Burrows]]></category>
		<category><![CDATA[Philip Jones Griffiths]]></category>
		<category><![CDATA[photojournalism]]></category>
		<category><![CDATA[Roland Barthes]]></category>
		<category><![CDATA[Simon Norfolk]]></category>
		<category><![CDATA[Vietnam]]></category>
		<category><![CDATA[war photography]]></category>

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		<description><![CDATA[What would a critical photographic response to the war in Afghanistan involve? The is no single answer to that question, but having both contributed to and learnt from a workshop on the Burke + Norfolk show at the Tate Gallery in London this past week, it is one we have to pursue. To begin to...]]></description>
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		<title>Wikileaks: from the personal to the political</title>
		<link>http://www.david-campbell.org/2010/12/09/wikileaks-personal-to-political/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=wikileaks-personal-to-political</link>
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		<pubDate>Thu, 09 Dec 2010 16:31:01 +0000</pubDate>
		<dc:creator>David Campbell</dc:creator>
				<category><![CDATA[photography]]></category>
		<category><![CDATA[politics]]></category>
		<category><![CDATA[Afghanistan]]></category>
		<category><![CDATA[Alex Madrigal]]></category>
		<category><![CDATA[Bradley Manning]]></category>
		<category><![CDATA[diplomacy]]></category>
		<category><![CDATA[Don McCullin]]></category>
		<category><![CDATA[Guardian]]></category>
		<category><![CDATA[Joe Lieberman]]></category>
		<category><![CDATA[Julian Assange]]></category>
		<category><![CDATA[Kristinn Hrafnsson]]></category>
		<category><![CDATA[Michael Shaw]]></category>
		<category><![CDATA[New York Times]]></category>
		<category><![CDATA[Peter Macdiarmid]]></category>
		<category><![CDATA[United States]]></category>
		<category><![CDATA[Vietnam]]></category>
		<category><![CDATA[war]]></category>
		<category><![CDATA[Washington Post]]></category>
		<category><![CDATA[Wikileaks]]></category>

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		<description><![CDATA[The global controversy surrounding Wikileaks release of US diplomatic cables is a moment in which media, politics, visual culture and war intersect in complex ways. There has been no shortage of good commentary on the story, as evidenced in the range of views curated by Alex Madrigal’s post “how to think about Wikileaks”. What I...]]></description>
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