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	<title>Comments on: Imaging Famine</title>
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	<link>http://www.david-campbell.org</link>
	<description>Photography, Multimedia, Politics</description>
	<lastBuildDate>Tue, 17 Jan 2012 23:50:34 +0000</lastBuildDate>
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		<title>By: &#8220;Imaging Famine: How Critique Can Help&#8221;&#8211; David Campbell &#124; HornLight</title>
		<link>http://www.david-campbell.org/photography/imaging-famine/#comment-59431</link>
		<dc:creator>&#8220;Imaging Famine: How Critique Can Help&#8221;&#8211; David Campbell &#124; HornLight</dc:creator>
		<pubDate>Tue, 17 Jan 2012 16:54:20 +0000</pubDate>
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		<description>[...] The 2003 cover of the New York Times magazine above, with 36 portraits of malnourished children from dozens of different countries over a 50-year period, illustrates the dominant way of representing this sort of disaster. It has been common from the nineteenth century, as we showed in the 2005 Imaging Famine exhibition. # [...]</description>
		<content:encoded><![CDATA[<p>[...] The 2003 cover of the New York Times magazine above, with 36 portraits of malnourished children from dozens of different countries over a 50-year period, illustrates the dominant way of representing this sort of disaster. It has been common from the nineteenth century, as we showed in the 2005 Imaging Famine exhibition. # [...]</p>
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		<title>By: The Back Catalogue (1): Representing &#8216;Africa&#8217; &#124; David Campbell</title>
		<link>http://www.david-campbell.org/photography/imaging-famine/#comment-29923</link>
		<dc:creator>The Back Catalogue (1): Representing &#8216;Africa&#8217; &#124; David Campbell</dc:creator>
		<pubDate>Sat, 27 Aug 2011 13:46:35 +0000</pubDate>
		<guid isPermaLink="false">http://www.david-campbell.org/?page_id=38#comment-29923</guid>
		<description>[...] workGuidePhotographyAtrocity and MemoryVideosHIV/AIDSImaging FamineVideosGrantsMultimediaLaygate StoriesThe Boarding HouseLiving in the ShadowsPoliticsBosniaIraqUS [...]</description>
		<content:encoded><![CDATA[<p>[...] workGuidePhotographyAtrocity and MemoryVideosHIV/AIDSImaging FamineVideosGrantsMultimediaLaygate StoriesThe Boarding HouseLiving in the ShadowsPoliticsBosniaIraqUS [...]</p>
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		<title>By: Imaging famine: How critique can help &#124; David Campbell</title>
		<link>http://www.david-campbell.org/photography/imaging-famine/#comment-29876</link>
		<dc:creator>Imaging famine: How critique can help &#124; David Campbell</dc:creator>
		<pubDate>Fri, 19 Aug 2011 12:10:14 +0000</pubDate>
		<guid isPermaLink="false">http://www.david-campbell.org/?page_id=38#comment-29876</guid>
		<description>[...] workGuidePhotographyAtrocity and MemoryVideosHIV/AIDSImaging FamineVideosGrantsMultimediaLaygate StoriesThe Boarding HouseLiving in the ShadowsPoliticsBosniaIraqUS [...]</description>
		<content:encoded><![CDATA[<p>[...] workGuidePhotographyAtrocity and MemoryVideosHIV/AIDSImaging FamineVideosGrantsMultimediaLaygate StoriesThe Boarding HouseLiving in the ShadowsPoliticsBosniaIraqUS [...]</p>
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		<title>By: Famine photographs and the need for careful critique&#160;/&#160; Imaging Famine blog</title>
		<link>http://www.david-campbell.org/photography/imaging-famine/#comment-6249</link>
		<dc:creator>Famine photographs and the need for careful critique&#160;/&#160; Imaging Famine blog</dc:creator>
		<pubDate>Tue, 04 May 2010 15:46:10 +0000</pubDate>
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		<description>[...] writing an essay on the photography of famine for a new book. The essay draws on the collaborative Imaging Famine project that started in 2005, and incorporates the points I made in a presentation for the Photography and [...]</description>
		<content:encoded><![CDATA[<p>[...] writing an essay on the photography of famine for a new book. The essay draws on the collaborative Imaging Famine project that started in 2005, and incorporates the points I made in a presentation for the Photography and [...]</p>
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		<title>By: Famine photographs and the need for careful critique &#124; David Campbell -- Photography, Multimedia, Politics</title>
		<link>http://www.david-campbell.org/photography/imaging-famine/#comment-5762</link>
		<dc:creator>Famine photographs and the need for careful critique &#124; David Campbell -- Photography, Multimedia, Politics</dc:creator>
		<pubDate>Tue, 13 Apr 2010 11:52:38 +0000</pubDate>
		<guid isPermaLink="false">http://www.david-campbell.org/?page_id=38#comment-5762</guid>
		<description>[...] writing an essay on the photography of famine for a new book. The essay draws on the collaborative Imaging Famine project that started in 2005, and incorporates the points I made in a presentation for the Photography and [...]</description>
		<content:encoded><![CDATA[<p>[...] writing an essay on the photography of famine for a new book. The essay draws on the collaborative Imaging Famine project that started in 2005, and incorporates the points I made in a presentation for the Photography and [...]</p>
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		<title>By: &#8216;Imaging Famine&#8217; &#171; The Rights Exposure Project</title>
		<link>http://www.david-campbell.org/photography/imaging-famine/#comment-375</link>
		<dc:creator>&#8216;Imaging Famine&#8217; &#171; The Rights Exposure Project</dc:creator>
		<pubDate>Fri, 12 Jun 2009 09:46:57 +0000</pubDate>
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		<description>[...] a summary of the research project and additional links see David Campbell&#8217;s blog. Possibly related posts: (automatically generated)30 Hour [...]</description>
		<content:encoded><![CDATA[<p>[...] a summary of the research project and additional links see David Campbell&#8217;s blog. Possibly related posts: (automatically generated)30 Hour [...]</p>
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		<title>By: David Campbell &#8212; Photography, Multimedia, Politics &#187; Aid images, and the solution offered by local photographers</title>
		<link>http://www.david-campbell.org/photography/imaging-famine/#comment-183</link>
		<dc:creator>David Campbell &#8212; Photography, Multimedia, Politics &#187; Aid images, and the solution offered by local photographers</dc:creator>
		<pubDate>Thu, 23 Apr 2009 16:48:19 +0000</pubDate>
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		<description>[...] Some visual strategies are remarkably persistent, and few more persistent than those employed by humanitarian aid organizations when illustrating their appeals and campaign literature. We documented this in relation to food shortages in Africa as part of the Imaging Famine project. [...]</description>
		<content:encoded><![CDATA[<p>[...] Some visual strategies are remarkably persistent, and few more persistent than those employed by humanitarian aid organizations when illustrating their appeals and campaign literature. We documented this in relation to food shortages in Africa as part of the Imaging Famine project. [...]</p>
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		<title>By: admin</title>
		<link>http://www.david-campbell.org/photography/imaging-famine/#comment-33</link>
		<dc:creator>admin</dc:creator>
		<pubDate>Sun, 01 Mar 2009 16:50:19 +0000</pubDate>
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		<description>Thanks for the feedback. All comments have to be taken in the context they are made. Our argument about the framing of negative vs positive images being unhelpful is made in the realm of development images and representations of distant &#039;others&#039; generally. That is because &#039;positive images&#039; of smiling, happy aid recipients perpetuate colonial relations of power -- that &#039;they&#039; are grateful for our charity. What is not challenged via such imagery is precisely the broader political context you raise as important. 

Would an argument in terms of positive vs negative imagery be insightful in terms of the representations of black people in Britain? Possibly, at least in the first instance. But if we want to get to broader questions about the production of certain imagery and its political effects we have to go beyond seeing one aesthetic style as a solution. The answer is more likely to lie beyond the frame.</description>
		<content:encoded><![CDATA[<p>Thanks for the feedback. All comments have to be taken in the context they are made. Our argument about the framing of negative vs positive images being unhelpful is made in the realm of development images and representations of distant &#8216;others&#8217; generally. That is because &#8216;positive images&#8217; of smiling, happy aid recipients perpetuate colonial relations of power &#8212; that &#8216;they&#8217; are grateful for our charity. What is not challenged via such imagery is precisely the broader political context you raise as important. </p>
<p>Would an argument in terms of positive vs negative imagery be insightful in terms of the representations of black people in Britain? Possibly, at least in the first instance. But if we want to get to broader questions about the production of certain imagery and its political effects we have to go beyond seeing one aesthetic style as a solution. The answer is more likely to lie beyond the frame.</p>
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	<item>
		<title>By: Benjamin</title>
		<link>http://www.david-campbell.org/photography/imaging-famine/#comment-30</link>
		<dc:creator>Benjamin</dc:creator>
		<pubDate>Wed, 25 Feb 2009 23:00:48 +0000</pubDate>
		<guid isPermaLink="false">http://www.david-campbell.org/?page_id=38#comment-30</guid>
		<description>Wow, I take my hat off to you this is an amazing resource and such an important debate. Congratulations.

The aid world is an industry fighting for cash and often, but not always, the message they fall back on is 

&#039;they are fucked, give us your money.&#039;  

There is a classic example of this on the front page of Save The Children&#039;s website.  Go and have a look.

Having lived in Ethiopia though I question your belittling of the &#039;the unhelpful distinction of positive versus negative imagery.&#039;

Would you have written this if you were talking about repeated negative images of black people in Britain?  Is that a shallow debate?

Journalistically there is a &#039;glamour&#039; in famine which means whilst we are presented with the suffering, little time is spent engaging with the solutions.

Isn&#039;t in interesting how charities spend so much time and money photographing the &#039;they&#039;re fucked&#039; side of things, but so little actually visually demonstrating impact?

I will linking to this important work.</description>
		<content:encoded><![CDATA[<p>Wow, I take my hat off to you this is an amazing resource and such an important debate. Congratulations.</p>
<p>The aid world is an industry fighting for cash and often, but not always, the message they fall back on is </p>
<p>&#8216;they are fucked, give us your money.&#8217;  </p>
<p>There is a classic example of this on the front page of Save The Children&#8217;s website.  Go and have a look.</p>
<p>Having lived in Ethiopia though I question your belittling of the &#8216;the unhelpful distinction of positive versus negative imagery.&#8217;</p>
<p>Would you have written this if you were talking about repeated negative images of black people in Britain?  Is that a shallow debate?</p>
<p>Journalistically there is a &#8216;glamour&#8217; in famine which means whilst we are presented with the suffering, little time is spent engaging with the solutions.</p>
<p>Isn&#8217;t in interesting how charities spend so much time and money photographing the &#8216;they&#8217;re fucked&#8217; side of things, but so little actually visually demonstrating impact?</p>
<p>I will linking to this important work.</p>
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