It’s back – another round of high octane commentary on the supposedly nefarious influence of Hipstamatic and Instagram on the world of photography. We’ve had Jean-Francois Leroy of Visa Pour L’Image deride these apps as “all a gimmick…pure laziness“. We’ve read Kate Bevan in The Guardian detail how she loves manipulating her own digital images,…
I fulfilled a long held ambition last week – seeing Bruce Springsteen and The E Street Band live in concert. It lived up to all expectations. And then some, in a three hour virtuoso performance. Shortly after I read David Brooks’ New York Times column on what he took from watching Springsteen in Europe. It contained…
Before we can construct a meaningful account that traces possible links between visual representation, knowledge and action, we need to dispense with some conventional wisdoms that purport to explain how photographs work. One of the largest obstacles to be removed is the ‘compassion fatigue’ thesis…
Photojournalism Behind the Scenes [ITA-ENG subs] from Ruben Salvadori on Vimeo. Ruben Salvadori’s video – “an auto-critical photo essay” – demonstrates clearly that when we see a conflict, what we see is the outcome of “conflict image production.” It’s like those still photographs which reveal photographers at work – Paul Lowe’s 1992 photograph of the Somalia…
Change in the media landscape is constant. Everyone involved in the production of creative content – photographers, journalists, writers, and musicians, as well as those who deal in those products – knows that nothing is as it was. Too much of the current debate about how creative practitioners can cope with these upheavals proceeds without…
The US-led war in Afghanistan is one of the longest running conflicts in America’s history. After more than nine years, the US and its allies have been fighting in Afghanistan longer than Soviet Union was by the time of its 1989 withdrawal. The war in Afghanistan has also surpassed the formal duration of the…