Archive for the ‘media economy’ Category
The struggle for the open web is going to be a big issue in 2012. Given the importance of the internet to creative producers, its something we should be paying a lot of attention to. And that means, first up, thinking about the implications of the Stop Online Piracy Act (SOPA) currently before the US…
Will people pay for online content? Here is a recent example, and a recent thought experiment, that gives us food for thought in the often fraught discussion of how people can leverage the benefits of the web (global access and ease of distribution at reduced cost) to generate income from creative content. The example comes…
Should some photo agencies become publishers and broadcasters? Last week I concluded the post on the issue’s surrounding Magnum’s archive of Libyan Secret Service pictures with the view that agencies miss an opportunity when they don’t provide the most comprehensive context of their stories in conjunction with their images. The challenges of the media economy mean…
Should we be worried about image abundance in the contemporary world? In recent weeks I have heard a number of affirmative answers to this question. At both the University of Sunderland’s excellent “Versatile Image: Photography in the Age of Web 2.0” conference and the Les Rencontres d’Arles symposium on “Photography, the Internet and Social Networks,”…
The disruptive power of the internet has produced a new ecology of information. As outlined in the first post of this series, this is the inescapable big picture for anyone engaged in creative practice. This new ecology of information incorporates some hard realities for those of us seeking to support creative practice. In the…
The disruptive power of the internet has made ‘community’ an essential concept in the new media landscape. A community is a group of people who share the similar interests, concerns or pursuits. They form around common purposes or practices. As argued in the first post of this series, the internet ‘disintermediates’ because it collapses…
Change in the media landscape is constant. Everyone involved in the production of creative content – photographers, journalists, writers, and musicians, as well as those who deal in those products – knows that nothing is as it was. Too much of the current debate about how creative practitioners can cope with these upheavals proceeds…
Both the scale of the protests in Syria, and the violence of the regime’s response, is growing. Yet photojournalism is able to offer little about this vital story. While we have seen powerful coverage of events in Tunisia, Egypt, Libya and even Yemen, there seem to be few if any photojournalists – either freelance or associated…
Crowd funding is growing as a means to support creative projects. Back in January I discussed the theory and practice of crowd funding through a critique of Larry Towell’s ‘Crisis in Afghanistan’ project, followed by an update on my experience as a contributor. Here I want to provide a review of how crowd funding is…
Welcome to the second in “The Back Catalogue” series of posts… I’ve been actively writing online for two years now, and one of the challenges of the blog format is how to keep old posts with content that is potentially still relevant from slipping off the radar. And because this site combines my research with the…
Newspapers in the US and UK continue to struggle with growing debt, declining circulation and falling advertising revenue. In the search for additional sources of revenue, new schemes for paid content are being implemented. (For an excellent overview of the issues, listen to WNYC’s On the Media podcast from January 28). After nearly two years planning,…
More than 100 newspaper front pages are running Goran Tomasevic’s photographs of the airstrikes on Libya. These scans have been made and circulated today by Thomson Reuters, and demonstrate how particular images attract the eye of picture editors around the world. His most featured photograph shows “a bomb from an allied aircraft explod[ing] among vehicles…
Dan Chung spent four days covering the Japanese earthquake and tsunami. Based in Beijing as the Guardian’s videojournalist, Dan runs the DSLR Newshooter blog and is the video tutor for the MA in International Multimedia Journalism I contribute to. Upon returning to Beijing on Thursday Dan came into class to give an immediate, first-hand account of his…
My postman brought an envelope from Larry Towell this week. Sent from Canada, it contained the 6×4 inch photograph (above) offered to those who pledged US$25 towards Larry’s “Crisis in Afghanistan” project. Personally captioned “International Committee of the Red Cross, Kabul, Afghanistan 2010” it was also personally signed. In my original post reviewing Larry’s Kickstarter-funded…
Thinking Images - an occasional series on some of the week’s visuals and the thoughts they prompt… Hundreds of thousands of protestors have returned to Cairo’s Tahrir Square demonstrating that the demand for change in Egypt is as strong as ever. Today the scene has been peaceful, but two weeks of extensive coverage from a corps of…
Larry Towell is one of the most accomplished contemporary photojournalists. Two weeks ago I became a backer of his “Crisis in Afghanistan” project, pledging $25 through Kickstarter. Today was the deadline for Larry to attract backers, and with 143 supporters contributing $14,007, the project exceeded its target and is up and running. I became a…
The photography world is full of awards, grants and competitions. Many of these reward work already done. But where do you go if you want funding for a new project? Who will fund a visual story you are planning but have not yet commenced? On a new grants resources page I have collected a range…
Finding the money to enable new photographic work is one of the most pressing issues practitioners currently face. Editorial paymasters have been in decline for a very long time, forcing those who want to pursue challenging and time-consuming projects to seek other means of support. Now the Internet’s disruption of the media economy has quelled…
The revolutions transforming the media economy continue apace. In the year since I published my five part series on these changes (beginning here and ending here) we have seen more evidence of the overall direction of change. Reviewing my notes from 2010 here are some of the standout developments to date: 1. Things remain grim…
Photography has always been associated with death. The French painter Paul Delaroche is supposed to have proclaimed, “From today, painting is dead” after he saw his first daguerreotype. Whatever the provenance of that quote, miniature portrait painting was replaced by new photographic technologies, even though their long exposure times meant, as Geoffrey Batchen has written,…
Everything costs something and no body wants to work for nothing. This statement of the obvious drives those disturbed by the impact of the Internet on business models for information industries. Individuals declare that they won’t give their work away, critics claim someone has to pay for content, and insiders (like the editor of Photo…
Recent changes in media brought on by developments in the web, its impact on established news outlets, and the rise of social media have dramatically altered the ecology of information. Its time to starting thinking what this means for universities. Last year I wrote a series of posts on “revolutions in the media economy” (see…
The Digital Economy Bill (DEB), now being rushed through the British parliament, embodies an impoverished understanding of the web and its implications for creativity. The DEB will put in place a system to defend the position of established media groups (the recording giants of the music and film industries) and individuals who have become fabulously…
This has been a momentous year for media. In my previous four posts on the revolutions in the media economy, I have used the present uncertainty to take a fresh look at the past many now view nostalgically. This critical view demonstrated that newspapers have always been commercial enterprises rather than altruistic associations, they were…
Over the past few months I have been part of an ad hoc working group with colleagues from Newcastle University that has been exploring the future of academic publishing. Two problematics framed our analysis: how are changes initiated by the digital economy affecting academic journals and how might the editorial team of a top flight…
The social media revolution I have been exploring in this series of posts has disrupted journalism and challenged photojournalism. That is because – as Clay Shirkey makes clear in Here Comes Everybody – the web has not simply introduced a new competitor into the old media ecosystem; it has created a fundamentally different ecosystem. At…
How do the revolutions in the media economy (detailed in the first and second post of this series) affect photojournalism? Given both the crisis in the distribution of information and the new opportunities for the structure of information, what futures are there for photojournalism? This assumes ‘photojournalism’ is an accepted category of photographic practice. It…
Is there actually a crisis in news and journalism? We must not ignore the historical perspective that locates the current problems in the media economy, as my previous post detailed, but Jeff Jarvis is right – if we start from the assumption that there is a crisis for all concerned we will ask the wrong…
The way news and information is reported and delivered to citizens is undergoing profound transformations, especially in the United States and Europe. In the last twelve months commentary has been rife with claims about “the death of newspapers,” the end of journalism, and the impact this crisis will allegedly have on democratic politics. In a…
