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	<title>David Campbell &#187; davidc7</title>
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	<description>Photography, Multimedia, Politics</description>
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	<itunes:summary>Photography, Multimedia, Politics</itunes:summary>
	<itunes:author>David Campbell</itunes:author>
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	<itunes:subtitle>Photography, Multimedia, Politics</itunes:subtitle>
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		<title>David Campbell &#187; davidc7</title>
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		<item>
		<title>TFTW #6: Azoulay on the image as statement</title>
		<link>http://www.david-campbell.org/2012/01/16/tftw-6-azoulay-on-image-as-statement/</link>
		<comments>http://www.david-campbell.org/2012/01/16/tftw-6-azoulay-on-image-as-statement/#comments</comments>
		<pubDate>Mon, 16 Jan 2012 11:42:17 +0000</pubDate>
		<dc:creator>davidc7</dc:creator>
				<category><![CDATA[Thought for the Week]]></category>
		<category><![CDATA[Ariella Azoulay]]></category>
		<category><![CDATA[photography]]></category>
		<category><![CDATA[TFTW]]></category>

		<guid isPermaLink="false">http://www.david-campbell.org/?p=3056</guid>
		<description><![CDATA[TFTW…thought for the week…some quotes to inspire… # A solitary image cannot testify to what is revealed through it, but must be attached to another image, another piece of information, another assertion or description, another grievance or piece of evidence, another broadcast, another transmitter. An image is only ever another statement in a regime of...]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Responding to crises: the problem of &#8216;donor fatigue&#8217;</title>
		<link>http://www.david-campbell.org/2012/01/12/responding-to-crises-problem-of-donor-fatigu/</link>
		<comments>http://www.david-campbell.org/2012/01/12/responding-to-crises-problem-of-donor-fatigu/#comments</comments>
		<pubDate>Thu, 12 Jan 2012 14:57:19 +0000</pubDate>
		<dc:creator>davidc7</dc:creator>
				<category><![CDATA[photography]]></category>
		<category><![CDATA[politics]]></category>
		<category><![CDATA[compassion fatigue]]></category>
		<category><![CDATA[Haiti]]></category>
		<category><![CDATA[humanitarianism]]></category>
		<category><![CDATA[Ron Haviv]]></category>

		<guid isPermaLink="false">http://www.david-campbell.org/?p=3049</guid>
		<description><![CDATA[# The second anniversary of the Haiti earthquake has seen some excellent follow-up reporting on what the international aid effort has achieved (see The Global Post series, with photos by Ron Haviv, as well as this morning&#8217;s Guardian report and picture gallery amongst others). This focus on where the aid money has gone highlights one of the...]]></description>
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		<slash:comments>4</slash:comments>
		</item>
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		<title>TFTW #5: Bolton on photography&#8217;s contradictions</title>
		<link>http://www.david-campbell.org/2012/01/10/tftw5-bolton-on-photographys-contradictions/</link>
		<comments>http://www.david-campbell.org/2012/01/10/tftw5-bolton-on-photographys-contradictions/#comments</comments>
		<pubDate>Tue, 10 Jan 2012 09:45:18 +0000</pubDate>
		<dc:creator>davidc7</dc:creator>
				<category><![CDATA[photography]]></category>
		<category><![CDATA[Thought for the Week]]></category>
		<category><![CDATA[Richard Bolton]]></category>
		<category><![CDATA[TFTW]]></category>

		<guid isPermaLink="false">http://www.david-campbell.org/?p=3043</guid>
		<description><![CDATA[TFTW…thought for the week…some quotes to inspire… # It seems that wherever we look in photography, we find contradictory impulses and opposing aims. The wide range of photographic applications [from police surveillance to liberal documentary] raises the possibility that photography has no governing characteristics at all save adaptability. Certain practices preserve the status quo and...]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Thinking Images v.25: Iran as perpetual enemy</title>
		<link>http://www.david-campbell.org/2012/01/09/thinking-images-v-25-iran-as-perpetual-enemy/</link>
		<comments>http://www.david-campbell.org/2012/01/09/thinking-images-v-25-iran-as-perpetual-enemy/#comments</comments>
		<pubDate>Mon, 09 Jan 2012 18:03:52 +0000</pubDate>
		<dc:creator>davidc7</dc:creator>
				<category><![CDATA[photography]]></category>
		<category><![CDATA[politics]]></category>
		<category><![CDATA[Caren Firouz]]></category>
		<category><![CDATA[Iran]]></category>
		<category><![CDATA[Leon Panetta]]></category>
		<category><![CDATA[New York Times]]></category>
		<category><![CDATA[Newsha Tavakolian]]></category>
		<category><![CDATA[Raheb Homavandi]]></category>
		<category><![CDATA[Tyler Hicks]]></category>
		<category><![CDATA[United States]]></category>

		<guid isPermaLink="false">http://www.david-campbell.org/?p=3031</guid>
		<description><![CDATA[# Iran has a prominent place in America&#8217;s geopolitical imagination. The Shah assumed absolute power after a 1953 coup engineered by the UK and the USA removed Prime Minister Mohammad Mosaddegh, only to be overthrown twenty five years later in a revolution that created the Islamic Republic of Iran. Mutual animosity was secured through the...]]></description>
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		<slash:comments>0</slash:comments>
		</item>
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		<title>TFTW #4: Barthes on subversive photography</title>
		<link>http://www.david-campbell.org/2012/01/02/tftw-4-barthes-on-subversive-photography/</link>
		<comments>http://www.david-campbell.org/2012/01/02/tftw-4-barthes-on-subversive-photography/#comments</comments>
		<pubDate>Mon, 02 Jan 2012 12:00:04 +0000</pubDate>
		<dc:creator>davidc7</dc:creator>
				<category><![CDATA[Thought for the Week]]></category>
		<category><![CDATA[photography]]></category>
		<category><![CDATA[Roland Barthes]]></category>
		<category><![CDATA[TFTW]]></category>

		<guid isPermaLink="false">http://www.david-campbell.org/?p=3026</guid>
		<description><![CDATA[TFTW…thought for the week…some quotes to inspire… # Photography is subversive not when it frightens, repels, or even stigmatizes, but when it is pensive, when it thinks. # Roland Barthes, Camera Lucida: Reflections on Photography, trans. By Richard Howard (New York: Hill and Wang, 1981), p. 38. # Thumbnail photo: Bill Gracey/Flickr. #]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The struggle for the open web: putting &#8216;piracy&#8217; in perspective</title>
		<link>http://www.david-campbell.org/2012/01/01/the-struggle-for-the-open-web-putting-piracy-in-perspective/</link>
		<comments>http://www.david-campbell.org/2012/01/01/the-struggle-for-the-open-web-putting-piracy-in-perspective/#comments</comments>
		<pubDate>Sun, 01 Jan 2012 14:50:20 +0000</pubDate>
		<dc:creator>davidc7</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[media economy]]></category>
		<category><![CDATA[business models]]></category>
		<category><![CDATA[copyright]]></category>
		<category><![CDATA[Internet]]></category>
		<category><![CDATA[piracy]]></category>

		<guid isPermaLink="false">http://www.david-campbell.org/?p=3009</guid>
		<description><![CDATA[# The struggle for the open web is going to be a big issue in 2012. Given the importance of the internet to creative producers, its something we should be paying a lot of attention to. And that means, first up, thinking about the implications of the Stop Online Piracy Act (SOPA) currently before the...]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Leveraging the web: how people are willing to pay for content</title>
		<link>http://www.david-campbell.org/2011/12/16/leveraging-the-web-how-people-are-willing-to-pay-for-content/</link>
		<comments>http://www.david-campbell.org/2011/12/16/leveraging-the-web-how-people-are-willing-to-pay-for-content/#comments</comments>
		<pubDate>Fri, 16 Dec 2011 17:51:54 +0000</pubDate>
		<dc:creator>davidc7</dc:creator>
				<category><![CDATA[media economy]]></category>
		<category><![CDATA[photography]]></category>
		<category><![CDATA[business models]]></category>
		<category><![CDATA[free]]></category>
		<category><![CDATA[piracy]]></category>

		<guid isPermaLink="false">http://www.david-campbell.org/?p=2977</guid>
		<description><![CDATA[# Will people pay for online content? # Here is a recent example, and a recent thought experiment, that gives us food for thought in the often fraught discussion of how people can leverage the benefits of the web (global access and ease of distribution at reduced cost) to generate income from creative content. #...]]></description>
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		<slash:comments>7</slash:comments>
		</item>
		<item>
		<title>TFTW #3: Ritchin on hyperphotography</title>
		<link>http://www.david-campbell.org/2011/12/12/tftw-3-ritchin-on-hyperphotography/</link>
		<comments>http://www.david-campbell.org/2011/12/12/tftw-3-ritchin-on-hyperphotography/#comments</comments>
		<pubDate>Mon, 12 Dec 2011 09:47:51 +0000</pubDate>
		<dc:creator>davidc7</dc:creator>
				<category><![CDATA[photography]]></category>
		<category><![CDATA[Thought for the Week]]></category>
		<category><![CDATA[Fred Ritchin]]></category>
		<category><![CDATA[hyperphotography]]></category>
		<category><![CDATA[TFTW]]></category>

		<guid isPermaLink="false">http://www.david-campbell.org/?p=2814</guid>
		<description><![CDATA[TFTW&#8230;thought for the week&#8230;some quotes to inspire&#8230; # Just as the novel, poetry, and the memoir have explored the permutations of memory, so too might the digital photograph evoke a more complex past. Rather than a single, inarguable reference point that is to thought to be truer than human recollection, it can serve as an...]]></description>
		<wfw:commentRss>http://www.david-campbell.org/2011/12/12/tftw-3-ritchin-on-hyperphotography/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Thinking Images v.24: Lu Guang&#8217;s activist photography</title>
		<link>http://www.david-campbell.org/2011/12/08/thinking-images-v-24-lu-guangs-activist-photography/</link>
		<comments>http://www.david-campbell.org/2011/12/08/thinking-images-v-24-lu-guangs-activist-photography/#comments</comments>
		<pubDate>Thu, 08 Dec 2011 20:07:19 +0000</pubDate>
		<dc:creator>davidc7</dc:creator>
				<category><![CDATA[photography]]></category>
		<category><![CDATA[Thinking Images]]></category>
		<category><![CDATA[China]]></category>
		<category><![CDATA[environment]]></category>
		<category><![CDATA[Greenpeace]]></category>
		<category><![CDATA[HIV-AIDS]]></category>
		<category><![CDATA[Lu Guang]]></category>
		<category><![CDATA[National Geographic]]></category>
		<category><![CDATA[photojournalism]]></category>
		<category><![CDATA[pollution]]></category>
		<category><![CDATA[W. Eugene Smith]]></category>
		<category><![CDATA[World Press Photo]]></category>

		<guid isPermaLink="false">http://www.david-campbell.org/?p=2575</guid>
		<description><![CDATA[# What is the power of photography? # In the abstract, that is an impossible question to answer. There are many general claims about photography being able to &#8216;change the world&#8217;, but when it comes to evidence for such arguments, we know surprisingly little about how photographs actually work. There are clearly moments in which images...]]></description>
		<wfw:commentRss>http://www.david-campbell.org/2011/12/08/thinking-images-v-24-lu-guangs-activist-photography/feed/</wfw:commentRss>
		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>TFTW #2: Ranciere on representation</title>
		<link>http://www.david-campbell.org/2011/12/05/tftw-2-ranciere-on-representation/</link>
		<comments>http://www.david-campbell.org/2011/12/05/tftw-2-ranciere-on-representation/#comments</comments>
		<pubDate>Mon, 05 Dec 2011 07:00:06 +0000</pubDate>
		<dc:creator>davidc7</dc:creator>
				<category><![CDATA[photography]]></category>
		<category><![CDATA[Thought for the Week]]></category>
		<category><![CDATA[Jacques Ranciere]]></category>
		<category><![CDATA[representation]]></category>
		<category><![CDATA[TFTW]]></category>

		<guid isPermaLink="false">http://www.david-campbell.org/?p=2551</guid>
		<description><![CDATA[TFTW&#8230;thought for the week&#8230;some quotes to inspire&#8230; Representation is not the act of producing a visible form, but the act of offering an equivalent – something that speech does just as much as photography. The image is not the duplicate of a thing. It is a complex set of relations between the visible and the...]]></description>
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		<slash:comments>1</slash:comments>
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