My concern has always been for photography that connects with the world to say something about the world so we can do things in the world.
That leads to me to focus mostly on the practices we know as documentary and photojournalism, but my concern has often been frustrated and limited by the terms of the conversation about photographic imagery, especially when it gets bogged down in the exhausted philosophical straight jacket of objectivity/subjectivity.
He says there is no simple story about photography, no tidy narrative, that we have to rethink what photographs are and do, and our conversation needs to be more sophisticated.
Marcus Bleasdale follows what I think is a similar line of thought – in a short video that could not be embedded but is available here. He states, “It’s not the individual photograph, it’s what you do with it, and who you engage with it, that makes it powerful.”
Together these short statements tentatively point towards a new framing of the conversation – away from a concern with the products of photography to its process. This will be a conversation that deals first and foremost with the purpose and effect of images. And it will make transparent the processes through which the photographic image (still or moving) can be an opening or organising node in a network of intersubjective actions and possibilities.