It has been quiet in these parts while I’ve been teaching in the US, but now that I’m back in the UK and in freelance mode, I’m looking forward to again writing here more regularly, trying to articulate the contexts of photography, multimedia and politics.
Having been preoccupied with off-line responsibilities I’ve also had a chance to reflect on the important things that need to be said and done – and its quite a long list! As an opening thought, I wanted to restate why I believe criticism, like the writing here, is important.
I was prompted on this by Jim Johnson’s post (brought to my attention by @MartijnKleppe) on keeping a photography blog and the place of criticism. In turn, Jim was inspired by a great piece from David Levi Strauss on the value of criticism in the context of art. Levi Strauss concluded:
Why does art need criticism? Because it needs something outside of itself as a place of reflection, discernment, and connection with the larger world. Art for art’s sake is fine, if you can get it. But then the connection to the real becomes tenuous, and the connection to the social disappears. If you want to engage, if you want discourse, you need criticism.
If you want to engage, if you want discourse, you need criticism. Absolutely, and as Jim Johnson said, replace ‘art’ in that sentence with ‘photography’ and ‘photojournalism’, and you have something important to grasp.
Of course, one of the issues central to criticism has to be how we make and understand the connection to the real, to the social. Which is why theory is inescapable for creative practice that wants to engage.
Thinking about what makes for good criticism – and there is plenty of bad, knee-jerk, thoughtless criticism – I’m always drawn back to Michel Foucault’s ethos of practicing criticism:
A critique is not a matter of saying that things are not right as they are. It is a matter of pointing out on what kinds of assumptions, what kinds of familiar, unchallenged, unconsidered modes of thought the practices that we accept rest…Criticism is a matter of flushing out that thought and trying to change it: to show that things are not as self-evident as one believed, to see what is accepted as self-evident will no longer be accepted as such. Practicing criticism is a matter of making facile gestures difficult.
Practicing criticism is a matter of making facile gestures difficult. That’s what I attempt here. And, as outlined in relation to on-going issues like the representation of famine, it has very practical consequences. Because one of the facile gestures we have to make difficult is the idea that ‘theory’ is distinct from, and even opposed to, ‘practice’. Let’s see where that thought takes us.