Should some photo agencies become publishers and broadcasters?
Last week I concluded the post on the issue’s surrounding Magnum’s archive of Libyan Secret Service pictures with the view that agencies miss an opportunity when they don’t provide the most comprehensive context of their stories in conjunction with their images.
The challenges of the media economy mean that its going to be increasingly difficult for agencies to be just content providers and distributors for others in the media. Stephen Mayes, for example, argued in a lecture to the MA International Multimedia Journalism in Beijing earlier this year that agencies need to rethink their function and are “finished” if they stick the old ways of doing things, which means just selling photographs or photographers’ time. Stephen’s lecture was wide-ranging, thoughtful and revealing, but I won’t engage here much of what he said. There is, though, one thing in particular that stuck with me.
He suggested that the boutique, documentary agencies, those most associated with photojournalism – Contact Press Images, Magnum, Noor, Panos Pictures, VII, among others – offer something distinctive and important. They provide what Stephen called a particular kind of journalism that goes beyond description to embody an approach to, and concern with, the world.
That being the case these agencies should be thinking in terms of being publishers and broadcasters, actually creating new and substantive content on the issues their photographers are covering, and making that content available both through their own channels as well as other media outlets.
My thinking on this further prompted last week when I received an email from Panos Pictures, promoting Robin Hammond’s “Tuvalu Sunset” and Joceyln Carlin’s “Global Warming’s Front Line”. But it went beyond that to something interesting and important – it provided me with news I was previously unaware of. I had no idea the situation in Tuvalu warranted a state of emergency prompting a response from both the Red Cross and Oceanic governments. It achieved, therefore, exactly what a news article or television segment generally does.
Agencies have long provided short text introductions and detailed captions for their images online, but I don’t think its unfair to say that information has generally been secondary to the photographs and, now, multimedia, and that it falls some way short of detailed context.
Why not make it a priority and provide even more information and context, that could then be published on an agencies’ site as an article/report as well as sold to other media outlets? People could go to agencies for substantive content on issues they care about, and agencies could have an output more valuable than a few photographs.
I don’t doubt there would be many hurdles for such a suggestion, not least the research and resources needed to make it real. But given that we regularly (and rightly) bemoan the lack of important international stories in the mainstream media, why not leverage the skills of those photojournalists who are actually reporting to make something more substantial regularly available?