The extensive pictorial coverage of Gaddafi’s death yesterday takes us back to the question I posed, also in relation to Libya, at the end of August – when should we see the dead?
There I wrote that generally the mainstream media operates in terms the idea of “taste and decency” thereby sanitising the coverage of conflict. In my view, graphic images that serve the story, helping to offer a more complete account, are important. Pictures that are displayed for their own sake, and without which there would be no story, should be avoided.
So how does the world wide publication of images showing Gaddafi’s final moments and aftermath sit with that argument? Clearly, there are moments like Gaddafi’s death when sanitised coverage gives way to an almost frenzied graphic-ness. But I don’t think that voids the earlier analysis of the media’s general tendency with regard to the coverage of death, or the value such coverage can have in reporting all the dimensions of a story.
Critical reflection doesn’t have to be a series of ‘black and white’, either/or propositions. We can also think in terms of both/and, with this being one of those moments. Which means I would argue the on-going coverage of conflict should not be afraid to represent its graphic moments, while also maintaining that if the graphic nature of that coverage becomes its own preoccupation then that is excessive. Today is one of those excessive moments, and I came to that conclusion via some online discussion and sources I have curated in a Storify post below.
While some images of Gadaffi’s death were required somewhere in each media outlet for there to be a comprehensive story, a photograph such as that used by Le Figaro on their front page today is just as effective in setting up that story.