I’m publishing here a short article written earlier this year by Stephen Mayes and Tim Hetherington that explores the themes of aggression, masculinity, sex and war, and the way they informed Tim’s work.
Entitled “The Theatre of War, or ‘La Petite Mort’,” the article was a collaborative effort. As Stephen Mayes told me, “we’d talked about these subjects for years and he approached me to write the piece with him, and we managed to distil many of his ideas into it. He read it, liked it, and went to Libya.”
Originally written for a small American journal, it was never published in this complete form. Because it offers a fascinating insight into Tim’s thinking – with the themes present in his work form Liberia to Afghanistan (especially the ‘Sleeping Soldiers’ project) and then Libya – I am pleased that Stephen has agreed to it being made available.
World Press Photo and Human Rights Watch have just announced the establishment of the “Tim Hetherington Grant,” a €20,000 award for a photographer “to complete an existing project on a humanitarian or human rights theme.” Applications close on 15 October this year, and you have to have participated in the World Press Photo awards between 2008-2011.
Last year Tim had spoken of a post-photographic world, and the need for visual communicators to stop thinking of themselves as just a photographer. I hope that the judges of the Tim Hetherington Grant will look for creative approaches that embody this position. Above all else – and despite the mere 750 words provided to applicants for a proposal – let’s hope the judges reward someone who puts as much effort into thinking about the issues he visualized as Tim did.