Thinking Images - an occasional series on some of the week’s visuals and the thoughts they prompt…
The visual landscape of the war in Afghanistan is primarily, and necessarily, a product of embedded reporting. However, because it is easier to be embedded with NATO military forces than the Taliban, we have only ever received an unavoidably partial representation of the conflict, no matter how good those accounts are.
Gaith Abdul-Ahad has done many impressive reports from Iraq and Afghanistan for The Guardian in recent years, and this week his story from inside a Taliban unit has offered an important view of the conflict from the other side (see also this article and video in which Abdul-Ahad describes his experience). I think the eleven accompanying photographs are among the few available recording an operational Taliban unit, but I would be interested in hearing of other examples. In many ways the content and form of these pictures is unremarkable, in so far as they mostly show men with weapons moving through the countryside, but as documents of the rarely glimpsed “enemy combatants” they are exceptional.
Patrick Cockburn had a considered article on embedded reporting in The Independent this week, offering more nuance than is suggested by the title alone. Gaith Abul-Ahad shows how being embedded can produce essential journalism.
I both analyse visual storytelling and produce new visual stories. I'm especially interested in the storytelling we know as documentary photography and photojournalism. I look at the opportunities 'multimedia' brings, the disruption in the new media economy, as well as the challenges of international politics. My main aim is to provide the context.