Thinking Images – an occasional series on a small selection of the week’s visuals and the thoughts they prompt…
John Moore’s long term project Detained- covering prison sites run by US military and intelligence agencies as part of the global war on terror – was featured on the Lens blog this week. Moore’s work is an important act of documentation, both covering and connecting sites that otherwise remain relatively obscure. It was reviewed a day before WikiLeaks – again in partnership with an array of global media outlets – released another tranche of documents from the Iraq war. These revealed more accounts of torture and more civilian deaths resulting from the US-led invasion of Iraq. The more we find out the grimmer the picture becomes. (Caption for photo above: ‘Oct. 27, 2005: A juvenile detainee in a solitary confinement cage at Abu Ghraib was punished for talking through a fence to other detainees’).
This week Barack Obama became the first president to autograph an iPad, during a campaign stop in Seattle (photo: Susan Walsh/AP). Earlier this year Obama expressed his disdain for such devices, when he remarked that “with iPods and iPads and Xboxes and PlayStations – none of which I know how to work – information becomes a distraction, a diversion, a form of entertainment, rather than a tool of empowerment, rather than the means of emancipation.” Obama’s critique chimed with Malcolm Gladwell’s claim earlier this month that “the revolution will not be tweeted” – shorthand for saying that the transformative power of social media was being over-hyped. A couple of things unite Obama and Gladwell. First, both have no experience of the technologies they criticise. Obama confesses he doesn’t know how to work any of the things he names, and Gladwell has never been a Twitter user (something that led Jay Rosen to call Gladwell’s article an instance of journalistic malpractice. Alexis Madrigal is far less critical, but nonetheless points out two of Gladwell’s false assumptions here). Second, both see the platform itself as a political agent rather than just a mode of distribution, which nonetheless – because of the ease and scope of political collaboration it makes possible – has potential political consequences. An interesting counterpoint to this techno-cynicism is that in China (from where I am currently writing) it is the social media and sharing sites (Twitter, Facebook, YouTube etc) that are blocked. That doesn’t prove that they are inherently transformative, but it shows some regimes fear that might just help those pursuing change.
I analyse visual storytelling and produce new visual stories. I am fascinated by the storytelling we know as documentary photography and photojournalism. I examine the disruption in the media economy, its impact on visual journalism, and look at the opportunities 'multimedia' brings. I also have a long-term commitment to understanding international politics. My ethos is to provide the context, question assumptions, and explore future options.