Archive for March, 2010

How the social media revolution challenges the university

March 30th, 2010

Recent changes in media brought on by developments in the web, its impact on established news outlets, and the rise of social media have dramatically altered the ecology of information. Its time to starting thinking what this means for universities.

Last year I wrote a series of posts on “revolutions in the media economy” (see parts [...]

‘Crossfire’ censored – the power of documentary photography

March 25th, 2010

If we wanted a clear pointer to the political power of documentary photography, and a stark lesson in how pictures that pose difficult questions can provoke authorities, we need look no further than the vital work of Shahidul Alam and the Drik Gallery in Bangladesh.

Photo credit: Shahidul Alam/Drik
Shahidul’s new exhibition “Crossfire” examines extra judicial killings [...]

The Digital Economy Bill – against creativity and democracy

March 17th, 2010

The Digital Economy Bill (DEB), now being rushed through the British parliament, embodies an impoverished understanding of the web and its implications for creativity.

The DEB will put in place a system to defend the position of established media groups (the recording giants of the music and film industries) and individuals who have become fabulously wealthy [...]

Visualising ‘Africa’ – moving beyond ‘positive versus negative’ photographs

March 16th, 2010

A disaster. A lone child. Barefoot. In a barren landscape. The apparent absence of social structures.
This photograph recycles all the main elements in the dominant representation of ‘Africa’. As James Ferguson writes in his important book Global Shadows, “for all that has changed, ‘Africa’ continues to be described through a series of lacks and absences, [...]

‘Living in the Shadows’ wins multimedia journalism award

March 5th, 2010

I hope you will excuse this tiny bit of trumpet blowing, but I was excited to hear this morning that “Living in the Shadows,” the multimedia story on China’s internal migrants I produced for Sharron Lovell, has won an award in the United States.
It was named as one of the winners in The Society of [...]

Photographic manipulation – World Press Photo needs to be transparent in enforcing its rules

March 3rd, 2010

Back in December last year I posted a commentary on World Press Photo’s new rule on ‘manipulation’ of submitted imagery. The main point concerned the ambiguity of what “currently accepted standards in the industry” meant as the governing criterion. I concluded that “for the WPP clause to be effective, the organization is going to have [...]