Archive for March, 2010

March 30, 2010 · by davidc7 · education, media economy

Recent changes in media brought on by developments in the web, its impact on established news outlets, and the rise of social media have dramatically altered the ecology of information. Its time to starting thinking what this means for universities. Last year I wrote a series of posts on “revolutions in the media economy” (see…

March 25, 2010 · by davidc7 · photography, politics

If we wanted a clear pointer to the political power of documentary photography, and a stark lesson in how pictures that pose difficult questions can provoke authorities, we need look no further than the vital work of Shahidul Alam and the Drik Gallery in Bangladesh. Photo credit: Shahidul Alam/Drik Shahidul’s new exhibition “Crossfire” examines extra…

March 17, 2010 · by davidc7 · media economy, photography

The Digital Economy Bill (DEB), now being rushed through the British parliament, embodies an impoverished understanding of the web and its implications for creativity. The DEB will put in place a system to defend the position of established media groups (the recording giants of the music and film industries) and individuals who have become fabulously…

March 16, 2010 · by davidc7 · photography

A disaster. A lone child. Barefoot. In a barren landscape. The apparent absence of social structures. This photograph recycles all the main elements in the dominant representation of ‘Africa’. As James Ferguson writes in his important book Global Shadows, “for all that has changed, ‘Africa’ continues to be described through a series of lacks and…

March 5, 2010 · by davidc7 · multimedia, photography

I hope you will excuse this tiny bit of trumpet blowing, but I was excited to hear this morning that “Living in the Shadows,” the multimedia story on China’s internal migrants I produced for Sharron Lovell, has won an award in the United States. It was named as one of the winners in The Society…

March 3, 2010 · by davidc7 · photography

Back in December last year I posted a commentary on World Press Photo’s new rule on ‘manipulation’ of submitted imagery. The main point concerned the ambiguity of what “currently accepted standards in the industry” meant as the governing criterion. I concluded that “for the WPP clause to be effective, the organization is going to have…